Unleashing Class Warfare and Mythical Mayhem: ‘Death of a Unicorn’ Takes a Gory Jab at America’s Elite
NEW YORK — In an era when class divides are more pronounced than ever, “Death of a Unicorn,” under the helm of newcomer Alex Scharfman, skewers the excesses of the ultra-rich with a blend of horror and humor. The film opens with a merciless satirical lens, aiming to deride the grotesque extravagance of a society’s wealthiest, who treat luxury and relationships as disposable, pursue outlandish hobbies, and show blatant disregard for the consequences of their …